“ has the movement of feet, breathing, and steps, a soft handheld feeling at times, very subtle, and other times the frame is very still and composed, so it never felt arid and bloodless, we never wanted it to feel like it was being controlled mechanically, and I think one of the things I feel most delighted about with the film is that Roger found a way to do that that was pleasing to both of us, and yet keep control over it which was remarkable,” Mendes told IndieWire. Last year, Mendes spoke to IndieWire about why Deakins was integral to the project. While “1917” is presented as one shot, it’s actually a series of several one-take shots of various lengths seamlessly edited together. The cast and crew would rehearse repeatedly so that when the natural light was right they could execute the filming of the scenes without error. The team decided to shoot when it was cloudy outside in order to maintain continuity, but that meant waiting around for hours in order for the sun to disappear and only having limited time when the natural lighting was just perfect. Telluride 2023 Produced Many Winners, with One Taking the Oscars Leadįor “1917,” Deakins worked closely with Mendes and editor Lee Smith to ensure the film moved as if it was one continuous take. Prior to winning for the first time with “Blade Runner 2049,” Deakins was Oscar-nominated for the following titles: “The Shawshank Redemption,” “Fargo,” “Kundun,” “O Brother, Where Are Thou?,” “The Man Who Wasn’t There,” “No Country for Old Men,” “The Assassination of Jesse James by the Coward Robert Ford,” “The Reader,” “True Grit,” “Skyfall,” “Prisoners,” “Unbroken,” and “Sicario.” Several of these films are directed by Villeneuve and the Coen Brothers. Now Deakins has won two Oscars in two years. The DP earned 14 Oscar nominations over 23 years and lost every single time until “Blade Runner 2049” at the 2018 ceremony. Deakins’ “1917” victory is the cinematographer’s second Oscar win in two years following his prize for Denis Villeneuve’s “Blade Runner 2049.” Deakins, one of the most widely acclaimed cinematographers of his generation, spent decades waiting for his first Oscar. Roger Deakins has won the Academy Award for Best Cinematography thanks to his virtuoso work filming Sam Mendes’ “ 1917,” the World War I drama that is filmed to look like one single continuous take (similar to Alejandro González Iñárritu’s “Birdman,” which also won its cinematographer Emmanuel Lubezki the Oscar in 2015).
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